Patron after patron peeked into
the Soda Creek Gallery last week to catch a glimpse of Dayton Lamphear's
nine-foot tall sculpture of an Alaska brown bear.
Word of the massive creation
seemed to get around quickly, as people rushed to see the giant work of
art before it departed for Alaska.
As it turned out, however,
snowy weather gave local art connoisseurs a viewing reprieve. The sculpture
will remain at the local gallery at least through the first week in January.
The public is invited to visit
and view the piece.
The bear was commissioned
by a private collector in Alaska and took Lamphear more than three months
to complete.
Lamphear is originally from
a little town near Stowe ski area in Vermont up by the Canadian border.
He has been an artist for 23 years and, in 1978, moved to Sisters, where
he established NorthWind Studios.
Although 90 percent of the
sculpture was shaped using a chainsaw, Lamphear said, "I don't like to
be compared to chainsaw carvers; I'm a sculptor. I want realism and detail
that can't be achieved solely with a chainsaw."
Curiously, much of the finish
work was accomplished with a pneumatic power tool that Boeing developed
to be used in aircraft technology.
"Probably a lot of the tools
I use would never be found in any other artist's studio," said Lamphear.
"Technology gives us tools
that no artist had before our generation," he said. "I think old world
artists would have chosen these tools if they had been available."
Lamphear believes that art
and technology are developing side by side, as one continually helps define
the other.
The bear is fashioned from
a beautiful piece of dark, burnished redwood.
The tree itself is something
of an anomaly.
Lamphear said that the redwood
tree was planted many years ago by a settler in the Willamette Valley,
an area to which redwoods are not native.
Although the displaced redwood
thrived, unlike its lofty forebears it never grew much more than about
30 feet tall.
What it did do, however, was
grow outward -- with gusto -- in some years producing growth rings more
than an inch and a half in width. The result was a massive six-foot-thick
trunk with deep character to the wood.
Lamphear fingered the contours
of his creation as if it were a living thing.
"I feel that the spirit of
the once-living tree is reborn within the sculpture," he said. "A man
once told me, 'An artist is one whose ears are open to the music of the
universe.'"
Elaine Larson, who works at
the Soda Creek Gallery, said, "He has brought in so much business -- just
the bear alone -- people come in and say, 'Ohhhhh, my, it really is nine
feet tall.'"
The artist chuckled.
"I wanted the piece to be
powerful enough to intimidate, to give a sense of what it would be like
to be its prey."
Until the $30,000 sculpture
makes its journey to Alaska, locals will still have the opportunity to
stand in the shadow of the great bear. Soda Creek also has a number of
Lamphear's other sculptures on display, all of which are in a more affordable
price range.
The artist's pieces tend to
portray the images of nature, and much of his work is done in bronze.
His bronze work is sculpted
in clay, and the finished works are poured into molds at a foundry in
Enterprise, a town that boasts a sizable art community.
Mike Abbott, who manages Suttle
Lake Resort, said that Lamphear has been commissioned to produce some
of the sculpted art that will be a part of the recently approved proposed
lodge.
Construction at the resort
site is expected to start early next year.
One of the planned pieces
is a large fireplace mantle.
"My thought on that," said
Lamphear, "is to do the leading edge of an eagle emerging from the wood
of the mantle. I'll use wood that is native to the area, of course."
Lamphear is clearly looking
forward to the Suttle Lake project.
"I love Suttle Lake; it's
where I get a lot of my inspiration. It's such a phenomenal place. There's
still a sense of isolation out there.
"It has Oregon written all
over it."